{"id":7641,"date":"2024-08-26T15:53:37","date_gmt":"2024-08-26T15:53:37","guid":{"rendered":"https:\/\/noizedome.com\/?p=7641"},"modified":"2024-08-26T18:26:12","modified_gmt":"2024-08-26T18:26:12","slug":"holy-noise","status":"publish","type":"post","link":"https:\/\/noizedome.com\/index.php\/2024\/08\/26\/holy-noise\/","title":{"rendered":"HOLY NOISE"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Autor: <a href=\"https:\/\/www.instagram.com\/hardnoizz_\/\">Hardnoizz<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hablar de Holy Noise, es hablar de una formaci\u00f3n clave para entender la evoluci\u00f3n del sonido Rotterdam y el nacimiento del fen\u00f3meno Gabber.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El proyecto nace de uno de los pioneros del sonido House holand\u00e9s, <strong>Peter Slaghuis<\/strong>. Peter fue un aclamado dj y productor en la segunda mitad de los a\u00f1os 80&#8217;s, influenciado por el Acid House. En 1990 crea, en colaboraci\u00f3n con el sello belga \u00abArs\u00bb su propio sello discogr\u00e1fico, \u00abHithouse Records\u00bb.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/noizedome.com\/wp-content\/uploads\/2024\/08\/artworks-000214397987-hzily3-t1080x1080-1-1024x1024.jpg\" alt=\"\" class=\"wp-image-7642\" style=\"width:236px;height:auto\" srcset=\"https:\/\/noizedome.com\/wp-content\/uploads\/2024\/08\/artworks-000214397987-hzily3-t1080x1080-1-1024x1024.jpg 1024w, https:\/\/noizedome.com\/wp-content\/uploads\/2024\/08\/artworks-000214397987-hzily3-t1080x1080-1-300x300.jpg 300w, https:\/\/noizedome.com\/wp-content\/uploads\/2024\/08\/artworks-000214397987-hzily3-t1080x1080-1-150x150.jpg 150w, https:\/\/noizedome.com\/wp-content\/uploads\/2024\/08\/artworks-000214397987-hzily3-t1080x1080-1-768x768.jpg 768w, https:\/\/noizedome.com\/wp-content\/uploads\/2024\/08\/artworks-000214397987-hzily3-t1080x1080-1.jpg 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Uno de sus proyectos ser\u00eda \u00abHoly Noise\u00bb, que ocupar\u00eda su vertiente musical m\u00e1s dura y oscura. Su primer tema, \u00abFather Forgive Them\u00bb fue muy sonado.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"HOLY NOISE - Get Down Everybody ( HITHOUSE RECORDS )\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/aWx0wyFjERg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Holy Noise lo forman primigeniamente <strong>Paul Elstak<\/strong>, <strong>Richard van Naamen<\/strong> &amp; <strong>Rob Fabrie<\/strong> <em>(Waxweazle)<\/em>, y producido por el propio Slaghuis en su estudio.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> Su siguiente disco, \u00abEnter the Darkness\u00bb fu\u00e9 un sonoro \u00e9xito, gracias especialmente al hit \u00abGet Down Everybody\u00bb. Tanto es as\u00ed, que Peter decide dar un paso m\u00e1s y convertir la formaci\u00f3n en grupo musical, a\u00f1adiendo a <strong>Elidio Gomes<\/strong> <em>(MC Alee)<\/em> en la voz, y promocionar el grupo en radio y TV, algo muy habitual en grupos como \u00abThe KLF\u00bb, \u00abT-99\u00bb o \u00abSnap\u00bb.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Para ello saca un disco de mixes del tema \u00abGet Down Everybody\u00bb bajo el sello Ars, responsable de grupos emblem\u00e1ticos como \u00abTechnotronic\u00bb. Incluye una versi\u00f3n radio, vocal y Parkzicht mix.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"974\" height=\"1024\" data-id=\"7645\" src=\"https:\/\/noizedome.com\/wp-content\/uploads\/2024\/08\/WhatsApp-Image-2024-08-26-at-17.03.43-974x1024.jpeg\" alt=\"\" class=\"wp-image-7645\" srcset=\"https:\/\/noizedome.com\/wp-content\/uploads\/2024\/08\/WhatsApp-Image-2024-08-26-at-17.03.43-974x1024.jpeg 974w, https:\/\/noizedome.com\/wp-content\/uploads\/2024\/08\/WhatsApp-Image-2024-08-26-at-17.03.43-285x300.jpeg 285w, https:\/\/noizedome.com\/wp-content\/uploads\/2024\/08\/WhatsApp-Image-2024-08-26-at-17.03.43-768x808.jpeg 768w, https:\/\/noizedome.com\/wp-content\/uploads\/2024\/08\/WhatsApp-Image-2024-08-26-at-17.03.43.jpeg 1027w\" sizes=\"auto, (max-width: 974px) 100vw, 974px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" data-id=\"7646\" src=\"https:\/\/noizedome.com\/wp-content\/uploads\/2024\/08\/R-195709-1477152821-7120.jpg\" alt=\"\" class=\"wp-image-7646\" srcset=\"https:\/\/noizedome.com\/wp-content\/uploads\/2024\/08\/R-195709-1477152821-7120.jpg 600w, https:\/\/noizedome.com\/wp-content\/uploads\/2024\/08\/R-195709-1477152821-7120-300x300.jpg 300w, https:\/\/noizedome.com\/wp-content\/uploads\/2024\/08\/R-195709-1477152821-7120-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Tras el enorme \u00e9xito del tema \u00abJames Brown is Dead\u00bb de \u00abL.A. Style\u00bb, sacan como respuesta \u00abJames Brown is Still Alive\u00bb, que fue un gran \u00e9xito y muy sonado, sacando a continuaci\u00f3n un maxi de remixes.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Holy Noise - James Brown Is Still Alive!! (Belgium, 1991)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/sIiHVkcaO9g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">El 5 de septiembre de 1991, <strong>Peter Slaghuis<\/strong> fallece en un accidente de tr\u00e1fico. La formaci\u00f3n de disuelve y sale un L.P. p\u00f3stumo llamado <strong>\u00abOrganoised Crime\u00bb<\/strong>, recopilatorio de los temas m\u00e1s representativos de Holy Noise, incluyendo dos versiones del aclamado \u00ab<em>Get Down Everybody<\/em>\u00ab, la primera versi\u00f3n y la vocal.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"998\" src=\"https:\/\/noizedome.com\/wp-content\/uploads\/2024\/08\/WhatsApp-Image-2024-08-26-at-17.03.44-1024x998.jpeg\" alt=\"\" class=\"wp-image-7643\" style=\"width:412px;height:auto\" srcset=\"https:\/\/noizedome.com\/wp-content\/uploads\/2024\/08\/WhatsApp-Image-2024-08-26-at-17.03.44-1024x998.jpeg 1024w, https:\/\/noizedome.com\/wp-content\/uploads\/2024\/08\/WhatsApp-Image-2024-08-26-at-17.03.44-300x293.jpeg 300w, https:\/\/noizedome.com\/wp-content\/uploads\/2024\/08\/WhatsApp-Image-2024-08-26-at-17.03.44-768x749.jpeg 768w, https:\/\/noizedome.com\/wp-content\/uploads\/2024\/08\/WhatsApp-Image-2024-08-26-at-17.03.44.jpeg 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Holy Noise se convierten en 1992 en \u00abThe Sound Of Rotterdam\u00bb con tan solo un disco (y posteriormente convertido en recopilatorio), bajo el reci\u00e9n nacido sello <strong><em>Rotterdam Records<\/em><\/strong>, muy alejados de su&nbsp; sonido caracter\u00edstico&nbsp; y m\u00e1s metidos en el sonido Hardcore.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En 1992, Paul Elstak bajo el sello Rotterdam Records, saca en solitario <em>\u00abHoly Noise &#8211; The Nigthmare (The Final Remixes)\u00bb<\/em> en el que aparece la versi\u00f3n m\u00e1s recordada del tema<em> \u00abThe Nigthmare\u00bb<\/em>, el <em>\u00abPower Mix\u00bb, <\/em>una versi\u00f3n m\u00e1s dura y r\u00e1pida del tema original de 1991. Los samplers del tema, en su mayor\u00eda, est\u00e1n sacados de la pel\u00edcula <em>\u00abA Nigthmare on Elm Street 4 &#8211; The Dream Master\u00bb<\/em>.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Holy Noise - The Nightmare (Power Mix)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Ak8C4ak5FXU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">En 1993, bajo el sello Ars Productions, Paul Elstak saca unos mixes del tema \u00ab<em>Hardcore Will Never Die\u00bb<\/em>, en el que se incluye el m\u00e1s recordado: \u00abThe Nigthmare Continues\u00bb, muy en la l\u00ednea de producciones como \u00abBald Terror\u00bb (<strong>Paul Elstak, Richard van Naamen &amp; Carlos \u00abMC Ruffian )<\/strong>, con el Rotterdam Hardcore en plena ebullici\u00f3n, siendo \u00e9ste el \u00faltimo tema bajo el nombre de Holy Noise.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Holy Noise lo forman primigeniamente \u00abPaul Elstak, Richard van Naamen &#038; Rob Fabrie (Waxweazle)\u00bb<\/p>\n","protected":false},"author":1,"featured_media":7649,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[126],"tags":[140,134,141,139],"class_list":["post-7641","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists","tag-artist","tag-gabber","tag-holynoise","tag-paul-estalk"],"_links":{"self":[{"href":"https:\/\/noizedome.com\/index.php\/wp-json\/wp\/v2\/posts\/7641","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/noizedome.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/noizedome.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/noizedome.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/noizedome.com\/index.php\/wp-json\/wp\/v2\/comments?post=7641"}],"version-history":[{"count":4,"href":"https:\/\/noizedome.com\/index.php\/wp-json\/wp\/v2\/posts\/7641\/revisions"}],"predecessor-version":[{"id":7654,"href":"https:\/\/noizedome.com\/index.php\/wp-json\/wp\/v2\/posts\/7641\/revisions\/7654"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/noizedome.com\/index.php\/wp-json\/wp\/v2\/media\/7649"}],"wp:attachment":[{"href":"https:\/\/noizedome.com\/index.php\/wp-json\/wp\/v2\/media?parent=7641"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/noizedome.com\/index.php\/wp-json\/wp\/v2\/categories?post=7641"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/noizedome.com\/index.php\/wp-json\/wp\/v2\/tags?post=7641"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}